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In 1979
Back to Brazil, he organizes the exhibition
Espaços de Resistência, Espaços de Emergência,
his last contribution
as director of EAV and separates from Silvia Roesler. In tribute to his father, produces the film
Mira, o Emigran-
te
, with the collaboration of João Carlos Horta and music by Jards Macalé. The film participates in the
Festival
de Cinema do Jornal do Brasil
.
In 1980
He travels to Mexico at the invitation of the
Fórum de Arte Contemporânea
, participates in the collective exhi-
bition
Pablo, Pablo!
(Rio de Janeiro, Funarte) and receives special hall in the
XXXVII Salão Paranaense
presented
by Frederico Morais. Marries Viviane Andreatta.
In 1981
Lina Bo Bardi invites him by to make a tile mural for SESC Pompéia in São Paulo. He presents the exhibi-
tion
Voyeur Amoroso
(in Rio de Janeiro, Galeria Saramenha and Galeria Bonfiglioli, in São Paulo). Receives the
award Golfinho de Ouro from the Governo do Estado of Rio de Janeiro.
In 1982
Born Clara Manhã, the first daughter of Andreatta and Gerchman. Participates in the exhibition
Homenagem
a Mário Pedrosa
, organized by Jean Boghici, commemorating the 80th birthday of the art critic. Travels to
Berlin, invited by Deutscher Akademischer Austauschdienst (Daad) and participates in the collective
Künstler
aus Latinamerika
.
In 1984
Participates in the collective exhibition
Artist Call: against US Intervention in Central America
, in New York. He
builds a studio in the Vale do Prata, in Mauá, Rio de Janeiro.
In 1985
Performs his solo exhibitions
Clara Manhã
(São Paulo, Galeria Paulo Klabin) and
Viva a Pintura
(Rio de Janeiro,
Petite Galerie).
In 1986
Born the couple’s second daughter, Stela Luz. He performs a solo exhibition at the Galeria Montesanti, São
Paulo, with text by Frederico Morais.
In 1987
He performs the exhibitions
Rubens Gerchman – Obras Escolhidas
(1959-1987) in the Galeria Jean Boghici and
Rubens Gerchman – Obras Recentes
(Rio de Janeiro, Galeria Maurício Leite Barbosa).
Participates in the exhibi-
tion
Nova Figuração Rio/Buenos Aires
(Rio de Janeiro, Galeria do Instituto Cultural Brazil-Argentina), with text
by Paulo Herkenhoff.