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In 1988
Participates in the collective exhibition
The Latin American Spirit: Art and Artists
in the United States, 1920-
1970 (New York, Bronx Museum).
In 1989
Performs the public art project for the Brazil square, in Volta Redonda, Rio de Janeiro and launches his first
book
Gerchman
, with texts by Wilson Coutinho.
In 1991
He participates in the
XXI Bienal de São Paulo
, with the panel
Clorofila
, produced in Manchester. In the follo-
wing year, exhibits his work at Centro Cultural Banco do Brasil do Rio de Janeiro (CCBB-RJ). Participates in the
exhibition
O que Você faz Geração 60?
–
Jovem Arte Contemporânea Revisitada
(MAC-USP).
I
n 1993
He participates in the exhibition
Panorama de Arte Brasileira/93 – Pintura
(MAM-SP). In Colombia produces
his lithographs book
Dupla Identidade
, with poems by Armando Freitas Filho, launched at the
Feira do Livro de
Bogotá
.
In 1994
Launches his second book
Lute
, with texts by Anna Maria Escallón and Damian Bayón and releases the book
Dupla Identidade
in Madrid, on the occasion of his exhibition in the Casa das Américas.
In 1995
Participates in the exhibition
Opinião 65 – 30 Anos
(CCBB-RJ), organized by Wilson Coutinho.
In 1996
Produces the stage set of the play
No Verão de 1996
, inspired in his work and directed by Aderbal Freire Filho.
In 1997
Participates in the
I Bienal do Mercosul
(Porto Alegre, Fundação Bienal de Artes Visuais do Mercosul) and the
exhibition
Estética do Futebol
(Rio de Janeiro, MNBA; São Paulo, Banco Real). Invited by the Brazilian govern-
ment administers drawing and painting courses with the body motion in Asunción and Montevidéu.
In 1998
Participates in the exhibitions
L’esthetique du Football
(Paris, Galerie Jerome de Noirmont) and
Trinta Anos de
68: Vanguarda, Desbunde e Utopia
(CCBB-RJ).
In 1999
Participates in the exhibition
Cotidiano/Arte: Objeto Anos 60/90
(MAM-RJ) and the
Cotidiano/Arte: O Consu-
mo
(São Paulo, Itaú Cultural).