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In 1964
Born Micael, the first child of Maiolino and Gerchman. Alongside with Wesley Duke Lee and Antonio Dias,
performs an exhibition at Galeria Vila Rica, presenting drawings and lithographs.
Participates in the
Salão Nacional de Arte Moderna
, introducing a montage of
Multidões
.
In 1965
His first solo exhibition (Galeria Relevo). Receive the award-acquisition in the
II Exposição do Jovem Desenho
Nacional
(MAC-USP) with the work
Proibido Virar à Esquerda
. With the works
Misses, Futebol
e
Carnê Fatura
,
participates in the exhibition
Opinião 65
(MAM-RJ)
,
organized by Ceres Franco and Jean Boghici. Participates
in the
VII Bienal de São Paulo
,
in the exhibition
La Figuration Narrative Dans L’art Contemporaine
(Paris, Gallery
Europe and Creuse) and the
Salon de la Jeune Peinture
(Musée d’Art Moderne de la Ville de Paris).
In 1966
Born his the second daughter, Verônica. Participates in the exhibition
Opinião 66
(MAM-RJ), presenting the
Caixas de Morar
and
Elevador Social
. With Antonio Dias, Carlos Vergara, Pedro Escosteguy and Roberto Ma-
galhães performs the exhibition
Happening Pare
in the Galeria G-4. Participates in the exhibition
Artistas
Brasileños Contemporáneos
(Buenos Aires Museu de Arte Moderno), and in
IV Resumo de Arte JB
(MAM-RJ)
with the works
Lute, Ar
and
S.O.S.
. With photography by David Zingg and Antonio Carlos Fontoura, directs
Ver Ouvir
, documentary about the work of Gerchman, Antonio Dias and Roberto Magalhães, awarded at the
Festival de Brasília
.
In 1967
In January, with other Brazilian artists, he signs the
Declaração de Princípios Básicos da Vanguarda
, performs
his second solo exhibition (Rio de Janeiro, Galeria Jean Boghici), and participates in the
Nova Objetividade Bra-
sileira
exhibition with the works
Lindonéia
and
O Rei do Mau Gosto
.
In the
IX Bienal Internacional de São Paulo
,
presents
Abrigos (Caixas de Morar)
. He receives the painting award of the
Bienal de Cali
and the trip abroad
award in
XVI Salão Nacional de Arte Moderna
, alongside with the sculptor Amílcar de Castro. He is invited to
be the set designer of the film
Macunaíma
, of Joaquim Pedro de Andrade, but refused due to his travel award.
Creates the film posters of the
O Bravo Guerreiro
by Gustavo Dahl and
Copacabana me Engana
, by Antonio
Carlos Fontoura.
In 1968
He does the collective album cover
Tropicália ou Panis Et Circensis
, goes to New York and in the seaport is recei-
ved by Amílcar de Castro. Divides a loft with the Argentine artists Cesar Paternosto, Luis Wells and Fernando
Mazza. He applies for a job in the multiple processes factory of David Basanov, where he meets the Mexican
artist Felipe Ehenrenberg.
In 1969
Participates in the exhibition
Fashion Poetry Event
. In protest against the cultural policy of the Center for Inter
American Relation, the core of Latin American artists living in New York formed by Gerchman, Cesar Paternos-
to, Luis Wells, Omar Rayo, Liliana Poter, Luis Camister, among others, establish the Museu Imaginário Latino-
-Americano. He starts to live at Bowery with Maiolino and his two sons, where he hosts Glauber Rocha, Hélio
Oiticica and Lygia Clark.